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My Work Is My Passion – Zim Rugby Guru Nelson Madida

A chat with Zimbabwean professional rugby player Nelson Madida.

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My Work Is My Passion - Zim Rugby Guru Nelson Madida Asante Afrika Magazine
Image: Zimbabwean Professional Rugby Player Nelson Madida

Hazel Lifa

For Nelson ‘Terminator’ Madida, a simple day at the office is light years from what many of us envision as a job. The professional rugby player, coach and trainer is one of the lucky few who get to do what they love on a daily, and he couldn’t be happier.  Madida’s sporting career has come with a slew of awards like the 2015 Best Forward Player in Matabeleland, and the 2017 7’s Player of the Year. These awards ultimately led him to play for Zimbabwe’s national rugby team.

“The world finds itself in a difficult position due to this pandemic… I have come up with a fitness and health programme meant to keep people focused on something other than the coronavirus.”

Once he had dominated the player aspect, Madida shifted to training others and making bold moves in the world of rugby. Dubbed a ‘rugby guru’, Madida’s experience playing internationally highlighted how opportunities in spaces like the rugby world were closed off to women. This realisation steered Madida’s involvement with the Nyambose Girls Academy through the programme, HOPE. The programme was aimed at using the sport of rugby as a tool to empower the girl child and encourage gender equality in the game of rugby. The Nyambose team went on to win the 2017 Bulawayo Women’s Club League.

My Work Is My Passion - Zim Rugby Guru Nelson Madida Asante Afrika Magazine
Image: Madida on the field.

The Covid19 pandemic was a huge disrupter for many and the father of one is no exception. Never one to be short of ideas, Madida started an online fitness and health programme in 2020 to keep people’s bodies and minds in shape. The programme has Zimbabwean and South African participants who have benefited from the self-crafted training regimes and free medical advice on muscle issues and injuries Madida provides. 

Madida stated, “The world finds itself in a difficult position due to this pandemic. The sporting world has suffered severely from the consequences of the virus… I have come up with a fitness and health programme meant to keep people focused on something other than the coronavirus.”

“My work is my passion.”

nelson madida

Madida is also the Sports Director at Christian Brothers College (CBC) in the city of Bulawayo. We caught up with the sportsman/mentor/ trainer/coach/community leader for a chat.

Zimbabwe participated in the Tokyo Olympics Sevens rugby qualifying trials in Monaco, how was the trip?

It was fun and inspiring. It’s always a great time when I get to meet and play with players from other countries/teams.   

Any highlights from the experience?

I got to see the growth of rugby in Zim through the new crop of players on the Zim team and other new players from other teams.

Being a trainer as well, could you say rugby influenced your fitness level or has the game just been an added advantage?

I have always been a fitness fanatic, but rugby as a sport naturally pushes you beyond the boundaries to become a better and supreme competitor.

From the field to the community; what inspires your involvement as a community leader in the Bulawayo community of Pumula?

To help and motivate the younger generation to be the best they can be, and that starts NOW! People often think this happens overnight, but no, we should start in the immediate communities we live in.

Could you give us a basic breakdown of the community activities you are involved in?

1. I run a rugby academy that helps kids with Depression (suicidal risk).

2. Mentorship through rugby.

3. Keeping old people / senior citizens healthy and happy through fitness.

My Work Is My Passion - Zim Rugby Guru Nelson Madida Asante Afrika Magazine
Image: Madida and fellow teammates celebrate winning the Rugby Africa Cup 2018

You started an online fitness and health training program right about the time the pandemic started, how has that been?

It has been progressive and a challenge at the same time, adapting to the new normal has its growing pains but I am optimistic.

When you started training a girls team at Nyambose Girls Academy did you experience any push back from stakeholders seeing as rugby has long been seen as a boys-only sport?

No, we had a lot of support for the girls’ rugby team. It was heart-warming to see how people could see what we were trying to achieve.

Any new projects or programs in the near future?

YES, definitely; but I won’t spill the beans just as yet.

Having played rugby this long any regrets or advice you can give to rookie players you wish you had known sooner?

Regrets none, advice? If you love something never give up but always know that failing is a part of a learning curve.

Any sportsperson who has influenced your career and why?

Myself, (laughs) I think it’s important to always give yourself more credit for how far you have come and what you have achieved. I saw what I wanted and went for it, I didn’t have all the answers but I kept pushing even when others didn’t have faith in my vision.

If you weren’t doing what you do today what would you be doing?

(A pause followed by a nervous laugh) Honestly, l don’t know… this is all l have ever known. My work is my passion.

Any noteworthy differences between being a player and a coach?

Not differences really but similarities rather, you are always learning on both ends which ensures I am never bored.

Interviewed By Hazel Lifa

hazel@asanteafrika.net

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Features

Tanto Wavie | Founder of TrapSu, A Genre of Vibes and Reflection

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Tanto Wavie | Founder of TrapSu, A Genre of Vibes and Reflection Asante Afrika Magazine

The Zimbabwean music landscape has evolved in a big way during the past years we have witnessed the creation of new genres and new sounds. From the country’s infancy right through its maturity, we have been blessed with genres such as Sungura, Museve, urban groves, Zim dancehall. These sounds have played a crucial role in defining the culture and Identity of the Zimbabwean people. Our feature artist has done a remarkable job of fusing the sound of old, and the new sound of the times. We introduce to you Tanto Wavie

Zimbabwe is a country known for its hardships, corruption, and bad press overall. Through the midst of all these negatives, Zimbabwean art still thrives. As much as it is not lucrative for the collective at large most artists still find a way to release and make music. This one artist is no exception, Tanto Wavie is making waves through his music, no pun intended.

I first heard of Tanto a couple of years ago through a random YouTube suggestion of his song John Chibadura. This song is a tribute to the late John Badura a famous Zimbabwean Sungura artist whose music defined the fabric of the times in the early 80s to 90s, a legendary figure etched in the Mount Rushmore of Zimbabwean music greats. The intense base guitar Sungura fused with hip hop and Trap beats in a genius and flawless composition made me an instant fan. This was the beginning of a beautiful sonic relationship between me and this muso.

All his records laced with the vibrant and high-energy producer tag at the beginning of each song “chi beat cha Tanto,” translation “Tanto’s beat”, you know you are in for a treat. Many have tried to fuse or sample Sungura or Museve, only to produce mediocre results, leaving much to be desired. On the other hand, Tanto has successfully found the secret formula to this magic, in his cauldron he cooks up a concoction of a new brand of Trap and Sungura, cleverly dubbed Trapsu. He creates timeless jams I believe are still yet to be discovered and pieces that will echo through the passage of time. 

With releases such as Sungura Museve a pure non-skip album that features stand-out tracks such as Mudhipisi, translation a “cop out” or “straight up fool always killing the vibe for everybody”. Tanto narrates a story of an individual who’s always messing everything up when people are trying to live their best lives and have a good time. In true Sungura fashion, the songs on the project are very descriptive and comedic at best but trust me! the man’s projects are no joke, he is one to be taken seriously.

Tanto Wavie | Founder of TrapSu, A Genre of Vibes and Reflection Asante Afrika Magazine
SUNGURA MUSEVE – TANTO WAVIE

The album is also graced with Gems such as 007, Dzinga Munyama, Mabhachi ft Denim Woods with a killer verse, Heart Yangu a soulful Trap+Sungura+RNB just to name a few. After Sungura Museve he has dropped a number of projects and singles all bangers. The future is bright for Tanto and personally I can’t wait for the new drop this Friday “Wake Chaiye”.

In closing, I believe an artist like Tanto Wavie is the missing piece to the future of the Zimbabwean music scene. He not only embodies the heritage and legacy of a sound that carried and groomed a whole nation, but he also brings the energy of the present-day with artistic integrity and vigor. Tanto is one to most definitely watch out for. Zimbabwe, Africa are you ready???

Tanto Wavie | Founder of TrapSu, A Genre of Vibes and Reflection Asante Afrika Magazine

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Moonchild District is in the Building and Propelling Young Artists Forward !!!

An interview with Moonchild Rye, founder of Moonchild District. An arts movement in Zimbabwe.

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Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine

HAZEL Q. LIFA

Creativity of the brain is low key blasphemy…

What do you do when the world doesn’t make it easy for you to do what you are best at? Give up and call it a day? A young poet from Zimbabwe turned to the avenue of innovation and created a space for himself and other creative like himself. For many creatives in Zimbabwe finding a space let alone an uncensored environment where one can express themselves and create is a challenge.

The African nation’s economic challenges have left the Arts sector in a bit of a bind as creatives are finding it hard to connect with their peers; find welcoming communities and realise financial gain from their artistry. Thus sadly many are leaving their art for more stable professions. But the resilience of poets like Moonchild Rye aka He of the Moon formerly known as Prince Rayanne Chidzvondo has led to the birth of a powerful alliance of creatives and a worthwhile business. 

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Moonchild Rye

Zimbabwe is heavily talented, the only problem is, how can the art industry thrive in a state where no other industry is functioning. It’s not a shock when people won’t pay a $2 ticket to hear you perform, to a majority, it’s soft life, a luxury they cannot afford.

According to Moonchild Rye, “The system is also very conservative, you find that they’re still hiring Albert Nyathi years after his prime has long been established, do you not think we have other poets in Zim? Either way, Moonchild District will be the change to all this. We will make it hard for them to ignore us.”

Poetry is not my calling; I called it in order to find ways to heal myself.

Moonchild rye

Moonchild’s poetic journey (pun intended) began as early as grade 7. Despite imaginable discouragement from family Moonchild Rye remained optimistic. Moonchild Rye proudly states, “I speak the audacity of greatness into my bones; my ancestor’s whispered a talent into my marrow that sings in my head and heart, my hand dances when it writes. I am the voice of a generation and the generation of this voice.”

Moonchild Rye started off his fast-growing arts movement in May of 2021 with Moonchild District’s Night of May, which was a huge success followed by a slew of sold-out Moonchild District events. We caught up with the poet/media practitioner/digital marketer/content creator.

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Moonchild Rye with guests at a Moonchild District event.

Can you take us through your journey to realizing poetry is your calling?

I started writing when I was 12yrs and performed for the first time for a crowd at a Highlands Primary School’s Academic Eve. Poetry is not my calling; I called it in order to find ways to heal myself. Writing is a process of healing, recollection and establishing a path back to myself. It is a lie if you ever hear someone say, “I write for people”. It’s only the adult in me who has chosen to become a full-blown storyteller but I speak my heart, my healing, and my purpose. I speak the revolution betrothed to my tongue way before I was born.

Do you have any particular cause or topic you enjoy tackling with your poetry or do you create as you are inspired?

I create as inspired, but I have generally gravitation toward issues of mental health and human rights. I’m also a bit of a love poet. Like I said, writing for me is healing. They are words, stories and poems that are razors under my tongue. The poems I resist dig deeper into my chest like a buried soul mate.

They grow blurry and distant until I can’t find the sharpness but I can still taste how it made me feel. The feeling of poetry inside me can be like a dull hunger, the distorted memory of a bite. I can’t explain my creative process, it’s like magic spread over time and I’ll be the closest thing to God. Creativity of the brain is low key blasphemy. We are all creators.

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Call Me Refined on the Moonchild District stage.

What was your first impression of the Zim arts scene when you started?

My first thought was “There’s no one or anything like me, they need me and my mark is different.” This was in 2015 when I stumbled upon my first open mic scene.

Zimbabwe is heavily talented, the only problem is, how can the art industry thrive in a state where no other industry is functioning. It’s not a shock when people won’t pay a $2 ticket to hear you perform, to a majority, it’s soft life, a luxury they cannot afford.

I also saw the hunger of many artists and in my head, it was always my father reminding me I would not amount to anything, I believed it because the people I saw were hungry, with guitars on their backs and Shakespeare’s sonnets on their tongues. I saw an industry I didn’t want to be part of, but it’s the need to do things differently that persistently calls me to continue pursuing my dream and the dreams of others like me. I vowed to take business to the arts, a work in progress still.

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Artists preparing to take the stage at a Moonchild District event.

Most of all, I found family. I found people who were willing to accept the difference I had been persecuted for. I found belonging. I found the oneness of my heart, mind, body and soul. I found that there were stars that stammered to lend us the words we lost in the darkness. I found I was a writer, a content creator, a creative, and a storyteller, I found myself closer to the things that gave me joy, I found a path and purpose. I found a light in the midst of darkness. 

You mentioned instances of censorship in Zim’s creative sector; care to tell us about the worst case you experienced? You don’t have to mention names.

Everyone is an active gatekeeper of your work because they are scared for you. They tell you what to say, or how to say it, they ask you to rephrase, to remove something completely, and not mention names. They remind you of so and so who went a similar way. When my mother hears me planning, she asks “Is this what you have really chosen?” not to say she doubts my career path, it’s the way she says it, the look in her eyes to say “are you safe?”

Artistes are not safe.

We are not safe from ourselves, we are not safe among ourselves.

We are not safe in the world.

No one is safe. Our minds are surely ours but our bodies? Our bodies have never belonged to any of us really; we suffer because of the bodies that house our gifts. We are the voice of a generation but the system will always find a way to silence us.

Your experience as a creative in Zimbabwe led you to create Moonchild District, what was the thought process behind its epiphany?

I was tired of gravelling for people to include me and see me. When people won’t give you a seat at the table, create your own fucking table, one day they’ll wash your feet and massage your guests. In other words, I am going for everything they said I’d never have or do. Moonchild District is the love child of rejection and determination, they know I’m unstoppable but people tried to make me feel small so I would reduce myself to fit their narratives.

Moonchild District is a movement of artists like me; we outcasts have to stick together.

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Moonchild District audience enjoying the masquerade event.

So far what is your favourite Moonchild District event to date and why?

Every show is unique in its way; we are constantly trying to outdo the last event. The masquerade, however, had us host our biggest show with the biggest audience. So I think it’s worth noting that our audience grows bigger.

Which Moonchild District event proved to be hard to put together and how did you power through?

I hosted a show where 6 out of 10 performers didn’t turn up. I had to open the floor to the audience; fortunately, this is how we ended up hosting open mics. The audience loves the mic just as much as we do. Also, the financial aspect of every show we host always has me sleepless and anxiously biting my nails. We are an unfunded movement, and it’s not pretty.

Specifically, who is the Moonchild District movement open to and how can interested creatives join?

Moonchild district is a movement, I merely lead it. For one to join, they simply follow the movement and drive us where their heart seeks.

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Ndanatsa gracing the Moonchild District stage

Where do you see your career as a poet and Moonchild District in the years to come, let’s say five years?

I say this on behalf of the whole group; we are trying to feed ourselves, grow ourselves, to just make it to the next day. 5 years is a long time, today is survival, and so is tomorrow. That’s what counts right now. There’s no blueprint to this life thing. I am a visionary who is still scared that I’ll die with my visions whilst everyone fights to stay alive well after I’m gone.

With Moonchild District’s business aspect, what do you consider yourself to be more of a poet or businessman?

We just want to earn money through our crafts like anyone else. Why shouldn’t the words that feed your soul pay my bills? Why do we represent our culture and creativity when it can’t even raise a morsel of sadza to the lips? We want money. We are also motivated by money. We also want to write, sing, and speak for money. We want to be taken seriously like everyone else.

Any thoughts on how to further improve Zimbabwe’s Arts space?

A lot still needs to be done. We still live in a world where it is not viable to be an artist. The economy quite sucks, it’s hard to create sustainable and consistent development. Artists need strong support and administrative structures to help them build and grow. They also need to come together to harness and create art collectively, whilst sharing resources, contacts and information.

Organizations in Zimbabwe would like you to believe they’re helping everyone by funding a favourite or regular, but the truth is a lot of artists are failing to sail off, even to begin. Resources, information and platforms are accessible to a few who use this for themselves whilst artists part of their movements or projects feed off ‘exposure’.

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Thando on the Moonchild District stage.

Everyone by now knows Exposure will not pay bills or feed you.

The government would like us to believe they’re helping. There’s no platform for poets, for writers, they care about sports and Jah Prayzah, the rest of us are unseen, no matter how hard we try.

The Ministry of Youth, Sports, Arts and Recreation established a relief fund for artists in 2020, but it’s not a full substitute for lost earnings. And as you may suspect, this was clouded with corruption and nepotism, just like everything else in this country. If Moonchild district can conquer these problems in the next 5years, we can be the leading creative hub in the region:

  1. Lack of resources to create, manage and commercialise creative art in youth consequently hindering growth and sustainability for creative youth in Zimbabwe.
  2.  Lack of guidance socially, financially and mentorship towards harnessing their creative energy from a young age, there is a need to fight the archetype of the broke creative which is a stereotype that has made many lose before they began.
  3. Dependency on informal labour and gigs in a demanding economy, leaving most creatives to abandon the creative economy chain.
  4. Administrative structures are also lacking in most creative groups. Most creatives fail from trying to be everything, from the leader to the writing, the script, recruiting artists, paying them and booking venues, accounts, reviewing their own lawful agreements etc. There are also no structures to mobilize these diverse creatives into hybrid content creators.
  5. Failure to adapt to the emerging social and cultural changes in media and production, especially in the Covid 19 era.
  6. There is not enough mainstream representation of creative arts and artists to communicate value proposition, most creatives are swapping their creative talents for priorities that feed them. There is not enough integration between creative art and communities
  7. The lack of hybrid, quality, competitive content from creatives because of a lack of resources to collaborate with other creatives or assemble production requirements and surpass its value. This hinders the growth of the Zimbabwean creative economy as content remains incompetent no matter the invested talent under limited resources.
  8. There is no support for creative start-up businesses and innovations, the government does not guide or finance start-up businesses and creative entrepreneurship.  They lack micro-enterprises that represent them as external entities that would like to support the creative sector in more substantial ways.
  9. There are no cross-sector partnerships to play an integral role in the effective use of the arts and creative industries for maximum promotion and productivity of the creative youth. They’re only limited to what they know, platforms that do not pay for exposure and cannot build sustainable growth beyond the creative industry.
  10. Creative youth are 3 times more likely to suffer from depression, there are fewer resources equipped to provide artists with mental health care and self-navigation, making drugs, unproductivity and suicide a commonality within creative communities. Art can be used for healing, as therapy both to the creative and their audience.
  11. The lack of spaces and platforms for artists to meet, socialize or work on their projects and gather resources. There are not enough spaces that allow their freedom of expression to build towards their highest potential, and surrounding environments are hostile and unaffordable for the average creative youth. There are no platforms for them to manifest their ideas and visions without in house gatekeeping. Artists need spaces and platforms that allow their wings to grow, that allows them to rise up to the task and excel in their fields.
  12. Creatives lack information that allows them to excel towards sustainable growth. Creatives who are empowered with business management and technical knowledge concerning their crafts are able to make wiser decisions concerning the direction of their art and how to build a successful enterprise from their work. They lack the skills needed to present themselves, build their individual brands and access the beneficial necessary information to drive them forward. 

Do you have any particular creatives you wish to work with and why?

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Chengeto Brown

Ah yes! Chengeto Brown – she’s poetry walking. Hope Masike  – I stan a legendary queen and Dudu Manhenga. Also, anyone else there making strides, poetry really can be infused anywhere and with anything. Take us to fashion, and music, we will be there.

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Hope Masike

Most think pursuing work in any form of the Arts is a waste of time, what do you have to say to that?

It probably is. I guess you have to allow me to fully find out, yeah?

According to Moonchild Rye, there are plenty of shows to look forward to from the movement. Look out for, A night in May scheduled for the 21st of  May 2022 (2nd edition) and Nyamavhuvhu scheduled for August 2022 (2nd edition). For more information on these and other wonderful events to look out for from Moonchild District connect with the district on social media: 

Moonchild District is in the Building and Propelling Young Artists Forward !!! Asante Afrika Magazine
Poster for upcoming Moonchild District event.

FACEBOOK – Ndi Rayanne or Moonchild District

Instagram     – ndi.rayanne or moonchild.district

Instagram     – ndi.rayanne or moonchild.district

Twitter        – @NdiRayanne

Connect with Hazel Q. Lifa: hazel@asanteafrika.net

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Features

November Editor’s Note

I was offended of course, but as a woman, that’s not the first nor would it be the last time the world came at me in this way.

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November Editor's Note Asante Afrika Magazine

Hazel Lifa

Hello Asante Fam

I know it’s been a minute, and to be honest, it was a trying time between several day jobs and burnout with no end in sight. But like all things, it had to come to an end… or is it the occurrences of this past weekend’s drama that have ignited my pen once more?! As I tried to enjoy my weekend with an old friend I was confronted, rudely if I might add, by a key pillar of patriarchy, misogyny and some good old-fashioned girl-on-girl hate.

So my old friend was in town for an event that her significant other (SO) would be performing at, and by association, I was also invited, and boy were we excited to hang out. After spending about 5hours give or take with the couple amongst other company, where my friend’s SO was hardly seen due to rehearsals, I was called a slut and uninvited with immediate effect from the event. Now I know you must be asking, “Damn Hazel, what did you do?”, to which I will truthfully answer, “I have no idea.”

Naturally, my friend and I were blind-sighted, there was some tension, and for the sake of my friend, I kindly excused myself and went about my night. I was offended of course, but as a woman, that’s not the first nor would it be the last time the world came at me in this way. Two things really bothered me about the altercation:

  1. The first was that an essential stranger whom I had spoken to for ten minutes in total felt he had the right to make such a judgment about me. Okay, let’s say it was true, who gave this man the right to police and punish me for my alleged sexual escapades? It’s the audacity in the misogyny that kills me, and will forever blow my mind. 
  2. The second thing came the next day when I was informed that this all started with another girl. The girl in question I had been nothing but nice to, and had interacted with well to my knowledge.  She had even asked for some help setting up her social media for her music, and I was down to introduce her to other artists that I knew. So what had compelled this woman to slut-shame me?

There is no grand lesson behind this editor’s note or whatever. My experience moved me to write, it saddens me as it speaks to the gap between men and women. Still, after so much effort put into gender studies, such mindsets still prevail. As for the young lady who slandered me, her actions speak more to her character rather than anything else.

It’s the month of November and we all know what that means… the festive season is around the corner and we made it through another 365 spin-cycle. Around this time we get that pressure of what have I done this year, and maybe even minimise our progress on account of comparison with the next person. Life goes on and if you haven’t achieved what you aimed for this year, know you are not alone, but you know what, we are still alive and can still keep at it.

Happy Universal Children’s Day on the 20th and Day of Remembrance for all Victims of Chemical Warfare on the 30th.

Stay Safe.

hazel@asanteafrika.net

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